IK-bld50 — variable ink-bleed specimen
01About the font
A monoline with ink in its veins. One centerline, one square-capped pen, and a bleed axis that swells the stroke from the inside — because ink that only ever behaves is ink you stopped looking at.
The bleed is in the outlines
Most inky type is a clean face with a filter over it. Here the swell is compiled into the contours, so it survives export, print, and being set at six points in someone else’s CMS.
Dry never happens
BLED runs 0–100, but the floor of the face is already 50. There is no setting at which this typeface is crisp. That is the whole premise and it is not negotiable.
Mitered, on the second attempt
The v1 joins rounded off wherever two strokes met, which read as a mistake at display size. The rebuild mitered them and locked the metrics, and picked up @ © ® ™ on the way through.
Heavy is genuinely heavy
At wght 900 with the bleed up, counters start to close. Small sizes will fill in. Set it big, or keep BLED near the floor and let width do the work instead.
Width goes wide, not narrow
75 to 145. The expansion is where the monoline gets interesting; the condensed end is there for utility and stops long before the stroke would collapse.
Slant reaches −16°
Further than most, on purpose — a monoline has no stress to fight, so the whole face can lean without the joints tearing.
It is an experiment
Free to use, rough in places, and on its second rebuild already. If a glyph looks wrong at the size you need, it probably is — tell me and it gets redrawn.
02Glyph Set
271 glyphs · 1000 UPM · bleed floor 50- Encoding
- Glyph
- A
- Unicode
- U+0041
- Decimal
- 65
- HTML Entity
- A
- Setting
- wght 664 · wdth 100 · slnt 0.0° · BLED 0
03Poster
Drag — double-click to type04Grid System
Every glyph is a centerline skeleton on the same 100-unit em — stroked by one square-capped monoline pen, then flooded through the inkbleed pipeline. Cycling A–Z, capital and small side by side.